Legend of the Mountain [Shan zhong chuan qi, 山中傳奇]. Dir. King Hu [Hu Jinquan, 胡金銓]. Perf. Shih Chun [Shi Jun, 石雋], XU Feng [徐楓], Sylvia Chang [Zhang Aijia, 張艾嘉]. Feng Nian [豐年]: 1979.
Hapless scholar He Qingyun (Shih Chun) is charged with the task of transcribing a sacred sutra. In search of a secluded place to still his heart, he arrives at the abandoned outpost of dead general. The general's secretary, a rather mannish Mama Wang (heh), and Wang's beautiful daughter agree to host him. Little does Scholar He know that they are all under the spell of [Xu Feng's character] Melody, who wants the sutra for her own nefarious purposes.
Yes, there are moments where this three-hour long film dragged. But the visual and musical excesses of this film are still so beautifully composed -- perfectly framed shots, lush landscapes, lovely music even moreso than lovely ladies. Minimal use of artificial light (which, unfortunately, makes some of the makeup work even more egregiously bad, though that was just how it was done back then). It never gets that creepy, though this is essentially a ghost story. I like how flashback sequences were delivered basically as a 'movie' within the movie. Use of music as a narrative and structural device is very interesting too, need to come back to this.
| Shih Chun Still has the eyes of a movie star |
Hapless scholar He Qingyun (Shih Chun) is charged with the task of transcribing a sacred sutra. In search of a secluded place to still his heart, he arrives at the abandoned outpost of dead general. The general's secretary, a rather mannish Mama Wang (heh), and Wang's beautiful daughter agree to host him. Little does Scholar He know that they are all under the spell of [Xu Feng's character] Melody, who wants the sutra for her own nefarious purposes.
Yes, there are moments where this three-hour long film dragged. But the visual and musical excesses of this film are still so beautifully composed -- perfectly framed shots, lush landscapes, lovely music even moreso than lovely ladies. Minimal use of artificial light (which, unfortunately, makes some of the makeup work even more egregiously bad, though that was just how it was done back then). It never gets that creepy, though this is essentially a ghost story. I like how flashback sequences were delivered basically as a 'movie' within the movie. Use of music as a narrative and structural device is very interesting too, need to come back to this.
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